In this gallery, we present different types of media: rice paper, practice paper, rice card.
You will also find ready-to-use liquid black ink in 100ml and 250ml bottles.
For lovers of tradition, solid ink sticks are also available to rub onto natural slate suzuri stones.
Finally, brushes are a must! We offer brushes in different sizes (small, medium, large) with natural bristles, from weasel hair to goat hair.
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Perfectly round Xuan rice paper. Made from natural fibres, it has a fine, slightly rough surface, typical of rice paper. The number selected corresponds to the number of sheets required. For example: 1=1 sheet, 5=5 sheets
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High-quality brush. The mixed bristles are made from a combination of weasel, horse and goat hair, combining the precision of weasel, the elasticity of horse and the softness of goat to offer perfect balance when painting.
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High-quality brush. The mixed bristles are made from a combination of weasel, horse and goat hair, combining the precision of weasel, the elasticity of horse and the softness of goat to offer perfect balance when painting.
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High-quality brush. Suitable for Sumi-e painting, calligraphy, watercolour painting and ceramics. The wolf hair is flexible yet compact. Its fine tip allows for great precision when painting.
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High-quality brush. Suitable for Sumi-e painting, calligraphy, watercolour painting and ceramics. The wolf hair is flexible yet compact. Its fine tip allows for great precision when painting.
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Brush with wooden handle, ideal for painting various subjects in Sumi-e painting. Weasel hair is particularly sought after because it retains its elasticity and softness for a very long time. The tip is flexible and retains its tapered shape. Excellent quality. Suitable for beginners.
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Wooden rack with 6 hooks on each side, ideal for hanging brushes with the tips facing downwards: the correct way to dry them after use and keep them in good condition.
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Semi-dried Xuan rice paper (high-quality), hand-mounted on stiff card. Rice paper with medium absorbency, also suitable for beginners. The number selected corresponds to the number of sheets required. For example: 1 = 1 sheet, 8 = 8 sheets
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Red sealing paste in a decorated porcelain container, with a rich, opaque colour.
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Unbleached Xuan rice paper mounted on a white PP backing. The end result is a 0.07 mm thick white card onto which a thin layer of rice paper is mounted. The number selected corresponds to the number of cards required. For example, 1 = 1 card, 5 = 5 cards
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Unbleached Xuan rice paper mounted on a white PP backing. This is an innovative mounting technique using modern materials; it is a multi-stage process that requires great concentration and expertise. The backing makes the paper more durable whilst bringing out the colours.
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Recycled paper, also known as grey paper, ideal for calligraphy practice or Sumi-e painting. It absorbs ink and water well, without curling during use. Colour: grey. Price: €8 per kilo Quantity: 1kg (approx. 40–45 sheets) The number selected corresponds to the number of kilos required. For example: 1=1kg, 4=4kg
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Recycled paper, also known as grey paper, ideal for calligraphy practice or Sumi-e painting. It absorbs ink and water well, without curling during use. Colour: grey. Price: €8 per kilo 1kg: approx. 70 sheets The number selected corresponds to the number of kilos required. For example: 1=1kg, 4=4kg
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It is the most famous and renowned ink in China, known as "Pine Smoke of Yellow Mountain". Made from pine soot from Yellow Mountain in Anhui Province, it is perfectly suited for both painting and calligraphy. Deep black. Long-lasting. Use: These ink sticks should be ground on a special inkstone (suzuri), to which a small amount of water is added depending on the desired consistency.
